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The director threatened to sue one of his leading ladies.Īnd it’s not as if “Blue Is the Warmest Color” needed the extra controversy, because it would have been one of the year’s most talked-about movies even if nobody involved in the film had ever opened his or her mouth. The actresses said the director was a monster. The French distributors publicly thumbed their noses at the Academy. The film’s explicit lesbian sex scenes raised eyebrows around the world.
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As After Ellen reports it’s not set to open in France until October.Five months after leaving the Cannes jury enraptured and taking home the Palme d’Or, Abdellatif Kechiche’s “Blue Is the Warmest Color” has become such a hot mess that you have to wonder if an English-language remake (or a making-of TV movie) is in the works starring Lindsay Lohan and Miley Cyrus. It’ll be interesting to see what the reactions will be to the film when it’s released which may be awhile. Maroh’s whole statement is worth a read and can be found here. I find it dangerous.Īs a feminist and lesbian spectator, I can not endorse the direction Kechiche took on these matters.īut I’m also looking forward to what other women will think about it. But here we go, to sacralize once more womanhood in such ways. The way he filmed these scenes is to me directly related to another scene, in which several characters talk about the myth of the feminine orgasm, as…mystic and far superior to the masculine one. I totally get Kechiche’s will to film pleasure. And among the only people we didn’t hear giggling were the potential guys too busy feasting their eyes on an incarnation of their fantasies on screen. The gay and queer people laughed because it’s not convincing, and found it ridiculous. The heteronormative laughed because they don’t understand it and find the scene ridiculous.
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Especially when, in the middle of a movie theater, everyone was giggling. Because - except for a few passages - this is all that it brings to my mind: a brutal and surgical display, exuberant and cold, of so-called lesbian sex, which turned into porn, and me feel very ill at ease. Maybe there was someone there to awkwardly imitate the possible positions with their hands, and/or to show them some porn of so-called “lesbians” (unfortunately it’s hardly ever actually for a lesbian audience). I don’t know the sources of information for the director and the actresses (who are all straight, unless proven otherwise) and I was never consulted upstream. It appears to me this was what was missing on the set: lesbians. Sure, to me it seems far away from my own method of creation and representation, but it would be very silly of me to reject something on the pretext that’s it different from my own vision. The fashion in which he chose to shoot these scenes is coherent with the rest of what he his creation. I consider that Kechiche and I have contradictory aesthetic approaches, perhaps complementary. But Maroh has strong feelings about the way lesbian sex is shown in the film–she felt it was like “porn.” And she acknowledges what she liked about the film and that she chose not to be involved on the adaptation.
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Now, Maroh has also spoken out about how she feels about the adaptation of her graphic novel. Kechiche’s desires than anything else.” On the other end of the spectrum, The Village Voice describes the sex scenes as “classical without being sterile they’re real and immediate in a way that honors the idea of terrific sex between two people who are madly in love, instead of just trying to paste a clumsy picture of it onscreen.” The New York Times described the film as “feels far more about Mr. However reactions to the sex scenes in the film have been varied. Reviews have described the film’s sex scenes as graphic and one scene in particular is very long.
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The one controversy over the film is about the depictions of sex. Reviews of the film have been overwhelmingly positive–praising the performances of Adele Exarchopoulos and Lea Seydoux as Adele and Emma, two women who fall madly in love. The film is based on Julie Maroh’s graphic novel, Blue Angel. It’s also the first graphic-novel adaptation to win. It is the first lesbian themed film to win the Palme d’Or. The three hour lesbian drama, received the prize the same day that anti-gay marriage protests, which was legalized earlier in the month, were taking place. Everyone has been buzzing about Abdellatif Kechiche’s Blue is the Warmest Color throughout all of Cannes and even more since its win of the coveted Palme d’Or.